Author: Tatiana Flores

In 2002, I visited Venezuela with a friend from Mexico City. Among the tourist attractions in Caracas that I took him to see was the Museo de Arte Contemporáneo Sofía Imber (known since 2006 as the Museo de Arte Contemporáneo de Caracas or MACC). I had often sang the praises of this venerable institution, one of the first museums in Latin America to focus on postwar art and which included in its collection works by Picasso …