Author: Yoel Díaz Vázquez

I first explicitly began to explore the theme of Cuban Blackness in 2014 at BE.BOP 14, Spiritual Revolutions & “The Scramble for Africa,” a theoretical and anti-colonial event in Berlin, Germany, organzied by the late Dominican writer and curator Alanna Lockward. I presented my project “Túmbenlo,” which supported the duo rap group Obsesión in their 2010 demands on the Cuban government to demolish the statue that glorifies racism in Cuba: the statue erected in 1936 of José Miguel Gómez, the second president of Cuba, responsible for the 1912 massacre of thousands of Afro-Cubans who were members of the Independent Party of Color (PIC, after its Spanish acronym).