Angeles D1

The dance company Angeles D1 is a space where artists of diverse origins and trajectories come together, from 8-year-old children who travel nearly two hours every day to reach the school to professional dancers from the USA and Finland. All of them feel a strong drive to express themselves through stage arts such as break dance, hip-hop, acrobatics, jazz, juggling, and other disciplines. Perhaps the most distinguishing members of the company are the children from poor and marginal sectors of Lima, who mostly were invited to participate after demonstrating their skills on the streets in a type of ambulatory work.

The precarious economic situation in which these young artists’ families live lead them to work in the streets from a young age. The “employment options” in the informal market in Lima are varied, from begging to the illegal commerce network in which many minors are exploited. In the midst of this hardly encouraging panorama, there are youth such as those who have joined Angeles D1 who voluntarily opt to dedicate their time to developing acrobatic and stage skills in order to perform in the city’s busiest street intersections in exchange for coins, as a type of itinerant theater.

The dance company transforms these youth from a social problem in the streets to a cultural and economic asset and provides access to new sectors of society. International celebrities, national entertainment professionals, and wealthy classes admire their performances. Many of the youth have been interviewed by the media as models of success or taught classes and led workshops on leadership and self-improvement in schools and private companies. Angeles D1 has harnessed some of these activities to make profit for the organization as well as contribute to the nonprofit mission by breaking down social barriers and gaining public recognition and compensation for the youths’ positive talents.

The Angeles D1 company was originally created with the goal of bringing the talent of these youth street artists to the formal theaters, giving them the opportunity to increase their economic income and perfect their artistic skills through constant training with national and international professionals in the stage arts. Nearly three years after its founding, Angeles D1 faces the challenge and urgency of providing sustainability to a project that requires expansion in order to remedy the multiple needs of these young artists, such as better nutritional habits and medical attention, academic and career advising, and more.

Angeles D1

Por Suzanne Jenkins and Paola Sofía Galarreta Espinoza-Dabbs

La compañía de danza Angeles D1 es un espacio donde confluyen artistas de múltiple procedencia y trayectoria, desde niños entre ocho y diez años que viajan casi dos horas diarias para llegar a la escuela de danza, hasta bailarines profesionales llegados desde Finlandia y USA. Todos ellos sienten una fuerte motivación por expresarse a través de las artes escénicas como break dance, hip hop, acrobacias, jazz, malabares, entre otras disciplinas. Quizás el grupo más representativo de esta compañía de danza son los chicos provenientes de sectores marginales y pobres de Lima, quienes en su mayoría fueron convocados a participar de este proyecto, luego de mostrar sus habilidades en las calles a manera de trabajo ambulatorio.

La precaria situación económica en la que viven las familias de estos jóvenes artistas, lleva a éstos a trabajar en las calles desde temprana edad. Las “opciones laborales” del mercado informal en la ciudad de Lima son diversas, desde la mendicidad hasta la participación en redes ilegales de comercialización, donde muchos menores de edad son explotados. En medio de este panorama poco alentador, existen muchachos que como los integrantes de Angeles D1 optaron voluntariamente por dedicar su tiempo al desarrollo de habilidades acrobáticas y escénicas, que mas tarde presentan al público en las intersecciones de las calles más transitadas de la ciudad, como un teatro itinerante.

La compañía de danza transforma a estos jóvenes, anteriormente un problema social en las calles, en un recurso cultural y económico y les abre acceso a nuevos sectores de la sociedad. Artistas internacionales, profesionales de la industria nacional de entretenimiento y las clases adineradas admiran su performance. Un número de los jóvenes han sido entrevistados por periódicos como modelos del éxito o han protagonizado talleres de liderazgo y superación en instituciones académicas y empresas privadas. Angeles D1 ha aprovechado algunas de estas actividades para ganar ingresos para la organización tanto como contribuir a su misión benéfica rompiendo barreras sociales y ganando el reconocimiento del público y remuneración por los talentos positivos de los jóvenes.

La compañía Angeles D1 se creó inicialmente con el objetivo de llevar a escenarios formales el talento de estos jóvenes artistas callejeros, dándoles la posibilidad de incrementar sus ingresos económicos y perfeccionar sus destrezas artísticas a través de una capacitación constante con profesionales nacionales y extranjeros de artes escénicas. Después de casi tres años de haber creado Angeles D1, surge el reto y la urgencia de dar sostenibilidad a un proyecto que requiere expandirse para suplir las múltiples necesidades de estos jóvenes artistas, como la mejora de hábitos nutricionales y de atención médica, asesoría educativa y de orientación profesional, entre otras.

Fall 2007Volume VII, Number 1
Suzanne Jenkins (Harvard College ’03) is Program Officer at ArtCorps (, a nonprofit that empowers developing communities and the NGOs serving them to work interdependently using participatory art, and a contemporary dancer.

Paola Sofía Galarreta Espinoza-Dabbs es una antropóloga peruana de la Pontificia Universidad Católica del Perú.

Related Articles

Brazilian Breakdancing

When you think about breakdancing, images of kids popping, locking, and wind-milling, hand- standing, shoulder-rolling, and hand-jumping, might come to mind. And those kids might be city kids dancing in vacant lots and playgrounds. Now, New England kids of all classes and cultures are getting a chance to practice break-dancing in their school gyms and then go learn about it in a teaching unit designed by Veronica …

Dance Revolution: Creating Global Citizens in the Favelas of Rio

Dance Revolution: Creating Global Citizens in the Favelas of Rio

Yolanda Demétrio stares out the window of our public bus in Rio de Janeiro, on our way to visit her dance colleagues at Rio’s avant-garde cultural center, Fundição Progresso. Yolanda is a 37-year-old dance teacher, homeowner, social entrepreneur and former favela (Brazilian urban shantytown) resident. She is the founder and director of Espaço Aberto (Open Space), an organization through which Yolanda has nearly …

Disruption in the Immigrant Experience: Colombian Youth Dance Their Way to Continuity

Disruption in the Immigrant Experience: Colombian Youth Dance Their Way to Continuity

Imagine you are fifteen years old. As an immigrant who has lived in the United States for a few years, you are still trying to find your place. You decide to join a group that dances the traditional dances of your country. You practice every week on Fridays, when you could be going to the movies or hanging out with your friends. Your goal is to perform in that big annual show a lot of people have told you about. That day has finally …

Print Friendly, PDF & Email